![]() ![]() Users can now combine and grade render passes, set blending modes and adjust colors for more in-depth previews before sending the layers on to NUKE. Once everything is right, artists can save their recipes, send the layers to compositing and update the lights in their scenes.įor the first time, a new Layer Compositor will allow artists to composite their renders directly in the new V-Ray Frame Buffer. Color and light intensity can now be adjusted instantly without ever having to render again. ![]() With Light Mix, artists can create dozens of lighting scenarios from a single render. ![]() The redesigned V-Ray Frame Buffer now plays host to two of V-Ray 5’s most anticipated features, opening up even more control to artists who want to do more in one program. V-Ray has been there for us every step of the way.” As we continue to push the boundaries of CG characters, we need tools that can keep up. “We've used it on everything from Thanos to Terminator and we get a consistent output back every time. “V-Ray is rock solid, no matter what you apply it to,” said Bob White, lighting department supervisor at Digital Domain. To meet the growing demands of high-end production, V-Ray 5 for Maya builds on its extensive rendering toolset with integrated compositing, interactive light mixing, powerful scene management and more. ![]() For more than a decade V-Ray has been used by the world’s leading studios to render over 300 television series and feature films, including Terminator: Dark Fate, Avengers: Endgame and Game of Thrones. 06, 2020 (GLOBE NEWSWIRE) - Today, Chaos Group released V-Ray 5 for Maya, a major new version of its Academy-Award winning production renderer. ![]()
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